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Holbein the Elder ran a large and busy workshop in Augsburg, sometimes assisted by his brother Sigmund, also a painter. He was a son of the painter and draughtsman Hans Holbein the Elder, whose trade he and his older brother, Ambrosius, followed.

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Holbein was born in the free imperial city of Augsburg during the winter of 1497вЂ“98. Hans Holbein's home during his time in Basel, Switzerland In the view of art historian Ellis Waterhouse, his portraiture 'remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style'. He was never content with outward appearance, however he embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. His portraits were renowned in their time for their likeness, and it is through his eyes that many famous figures of his day are pictured today, such as Erasmus and More. Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. He created designs ranging from intricate jewellery to monumental frescoes. Recent exhibitions have also highlighted his versatility. Some of his work was lost after his death, but much was collected, and he was recognised among the great portrait masters by the 19th century. Holbein has also been described as a great 'one-off' of art history, since he founded no school.

French poet and reformer Nicholas Bourbon (the elder) dubbed him 'the Apelles of our time,' a typical accolade at the time. Holbein's art was prized from early in his career. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England. In this role, he produced portraits and festive decorations, as well as designs for jewellery, plate, and other precious objects. By 1535, he was King's Painter to Henry VIII of England. He returned to Basel for four years, then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell.

He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. The result was a combined aesthetic uniquely his own. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance humanism. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. At first, he painted murals and religious works, designed stained glass windows, and printed books. Holbein was born in Augsburg, but he worked mainly in Basel as a young artist. He is called 'the Younger' to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. 1497 В вЂ“ between 7 October and 29 November 1543) was a German painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. Hans Holbein the Younger ( UK: / Л€ h Й’ l b aЙЄ n/ HOL-byne, US: / Л€ h oКЉ l b aЙЄ n, Л€ h Й”Лђ l-/ HOHL-byne, HAWL- German: Hans Holbein der JГјngere c.